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The book is cracking good, part adventure, part doomsday scenario, part primer on situation ethics. But I find I'm enjoying the physicality of the volume as much as the narrative it contains. A second printing borrowed through interlibrary loan, it has a much-creased spine proclaiming a faded title. The corners have begun a slow surrender to wear, paper peeling up and away from the thick cardboard beneath. The odor of dust wafts up from ragged-edged, yellowing pages, a scent as old as time.
I am not a romantic. I know that ebooks are the proverbial wave of the future, that they will largely wash away the need for loaning libraries and the very idea of out-of-print titles. We will have everything we want and more with the shuffling of bits and bytes over WiFi, and I cannot pretend that this is not progress. After all, I have an iPod and do not mourn the death of LPs and 8-tracks. Nor do I mind exchanging the jostling of cobbles for asphalt or flickering gas lights for electric. But I walk around this beautiful city where so much of the archaic remains and think of what we give up to gain. It's easy to forget that there's a trade at all.
(Picture: CC 2008 by UGArdener)
2 comments:
Some people DO mourn the loss of LPs and 8-tracks, though.
I don't think books will ever go away, exactly, but they'll definitely become more specialty items than the default mode. I imagine print-on-demand style services will end up very common and reasonably priced for a while until at last only hardcore collectors or indefatigable Luddites even want them.
Yes, there still is a small market for them, especially LPs. I've noted that quite a few indie bands like to release their albums on them.
Your prediction about print-on-demand sounds right to me. But I think we're a bit away from the complete ascention of ebooks. I just don't think there's quite enough value there yet for Joe Mainstreet to make the switch.
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