tag:blogger.com,1999:blog-4025264318423694875.post6518723398776826150..comments2024-02-05T10:41:31.777-05:00Comments on I Saw Lightning Fall: On the Occasion of Mr. Joseph Bottum's Review of Thomas Pynchon's Inherent ViceLoren Eatonhttp://www.blogger.com/profile/12488412683340389286noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-4025264318423694875.post-88571106020493681782009-08-10T21:35:52.091-04:002009-08-10T21:35:52.091-04:00Could that Latin phrase be roughly translated into...Could that Latin phrase be roughly translated into "I must indulge in <a href="http://www.policelink.com/topics/37287-gun-porn-part-3-for-the-gun-enthusiast/posts" rel="nofollow">gun porn</a>"? (The link is entirely 100% safe-for-work, just in case anyone was wondering. We're a family-friendly blog here. Well, pretty much.)<br /><br />Anyway.<br /><br />The only "significant" literary fiction I think I've enjoyed recently was some stuff from Thomas Wolfe. But, come to think of it, that wasn't very recent. Am I low-brow for agreeing with C.S. Lewis? He said that "every good book should be entertaining. A good book will be more; it must not be less. Entertainment ... is like a qualifying examination."<br /><br /><i>Inherent Vice</i> does look pretty bad, truth be told. Gumshoes and drug-addled 1970's culture don't mix well to my way of thinking. I don't know if it's just because Pynchon doesn't know how to write genre or if he's past his prime or if it's something else entirely. I'm not familiar with his artistic thought or his work, so I can't even begin to make an informed judgment. But the arrogance with which Bottum throws an entire category of literature under the bus takes my breath away.Loren Eatonhttps://www.blogger.com/profile/12488412683340389286noreply@blogger.comtag:blogger.com,1999:blog-4025264318423694875.post-32229694072950526922009-08-10T18:33:32.479-04:002009-08-10T18:33:32.479-04:00(Of course, in all fairness, there *are* a lot of ...(Of course, in all fairness, there *are* a lot of works of genre-fiction without grand aspirations, that simply want to tell a gripping (but insignificant) story of suspense. "Entertainment" and "genre" are often intertwined. And I, as a reader, have no problem relaxing with something pleasant and unchallenging. But I think Bottum's problem is that he elides the categories of "conventional [using conventions]" with the category of "conventional [repeating what has gone before, with minimal creative thought.]" <br /><br />Also, the book sounds really, really bad. Maybe Thomas Pynchon is equally to blame, for assuming that there is some Platonic heierarchy of art forms. Maybe he doesn't want to admit that someone who can write immaculately-researched domestic fiction could not effortlessly wring significance out of the "narrower" world of genre-fiction.<br /><br />Or maybe he would rather simply mock convention than go to the work of understanding what--and how--it means.Chestertonian Ramblerhttps://www.blogger.com/profile/01550643992523840950noreply@blogger.comtag:blogger.com,1999:blog-4025264318423694875.post-60401423476898803292009-08-10T18:22:16.529-04:002009-08-10T18:22:16.529-04:00See, my new motto works for everything: "Haud...See, my new motto works for everything: "Haud virum nisi arma cano."<br /><br />(I can hardly sing of men without singing of weapons.)<br /><br />But of course, I speak only from the narrow confines of genre fiction--things like the Illiad, which is all about action, people dying, and strictly conventional ways of acting and speaking. I mean, the whole thing ends with some argument about getting a body back to be buried. Where's the newness in that? What part breaks with convention? For the love of Intelligence, there isn't even any smug reassurance of the superiority of those who eternally question over those who actually do things. Clearly, this is escapist literature at its silliest.<br /><br />(And hey, now that I think of it, isn't the Illiad itself a "Beach novel"? I mean, the whole thing takes place on a beach, right?)<br /><br />Not to mention later genre-fic "classics." Chandler only talks about a man who yearns for nobility and dignity while fighting the evils of human corruption inside and outside the law. McCarthy uses images of violence to talk about the emptiness of what he calls our "secular age." Even in fantasy, where one would hope to find the wideness and depths of dadaist meaninglessness, you just have authors like McKinley, who concerns herself with the psychological trauma of incestuous rape.<br /><br />Where, I ask, is the seriousness of all this? Where is the difficulty? Now mind you, as a critic I certainly want to be fair. All of these novels have action and violence, and the desire to find out what happens can be strong enough to while away many a day avoiding the beauties of sea and surf. But where, I ask you, is the true breadth of life? Where are the Significant novels? Where, in a word, does it ask what it means to be a thrice-divorced professor of Creative Writing with nothing better to do than to mock other people's foibles? Where does it examine the anguish of an Artist looking in at his own work and seeing nothing but himself?<br /><br />It doesn't. Obviously, because it lacks the proper breadth. But at least it's good to know one's place, with the non-heierarchical literary guardians so helpfully leading the way.Chestertonian Ramblerhttps://www.blogger.com/profile/01550643992523840950noreply@blogger.comtag:blogger.com,1999:blog-4025264318423694875.post-30946273498455462872009-08-10T18:21:42.019-04:002009-08-10T18:21:42.019-04:00This comment has been removed by the author.Chestertonian Ramblerhttps://www.blogger.com/profile/01550643992523840950noreply@blogger.comtag:blogger.com,1999:blog-4025264318423694875.post-53804008468918398122009-08-10T18:16:27.977-04:002009-08-10T18:16:27.977-04:00This comment has been removed by the author.Chestertonian Ramblerhttps://www.blogger.com/profile/01550643992523840950noreply@blogger.com